arbeitet in und zwischen den generischen Berliner Medienbereichen Text, Grafik, Kunst und Internet. Schockierend neugierig, wenn auch mäßig entfremdet, wuchs sie in Berlin-Steglitz auf, las unersättlich, trug Picaldi, hing auf Parkplätzen herum, hörte Punk, war besessen von Ethologie und Botanik, klaute gelegentlich billige Lippenstifte bei Karstadt – und dachte irgendwie die ganze Zeit über Kunst nach. Heute ist sie Projektleiterin im Kraftwerk Berlin, zeigt Video-Kunst im Karton, einem alten Container und schreibt und gestaltet mehr oder weniger regelmässig für verschiedene Formate u.a. Cee Cee Berlin, DUMMY, FAZ Quarterly, Tagesspiegel sowie diverse Künstler:innen und kommerzielle Projekte. Stets schwankend zwischen schonungsloser Sympathie und spielerischer Provokation.
works in and between the generic Berlin media fields of text, graphics, art and internet. She grew up in Berlin-Steglitz and lived with a cat named Miez van der Rohe in Karl Blossfeldt's former home. Shockingly curious, if moderately alienated, she read voraciously, wore Picaldi, hung out in parking lots, listened to punk, was obsessed with ethology and botany, occasionally stole cheap lipsticks from Karstadt—and somehow thought about art all the time. Today she is the project manager at Kraftwerk Berlin, shows video art at the Karton, an old container, and writes and designs more or less regularly for various formats, including Cee Cee Berlin, DUMMY, FAZ Quarterly, Tagesspiegel as well as various artists, galleries and commercial projects. Always oscillating between relentless sympathy and playful provocation.no one cares // zurück
no one cares // zurück
works in and between the generic Berlin media fields of text, graphics, art and internet. She grew up in Berlin-Steglitz and lived with a cat named Miez van der Rohe in Karl Blossfeldt's former home. Shockingly curious, if moderately alienated, she read voraciously, wore Picaldi, hung out in parking lots, listened to punk, was obsessed with ethology and botany, occasionally stole cheap lipsticks from Karstadt—and somehow thought about art all the time. Today she is the project manager at Kraftwerk Berlin, shows video art at the Karton, an old container, and writes and designs more or less regularly for various formats, including Cee Cee Berlin, DUMMY, FAZ Quarterly, Tagesspiegel as well as various artists, galleries and commercial projects. Always oscillating between relentless sympathy and playful provocation.